PROGRAMME
SATURDAY
09.00- 09.30 REGISTRATION AND COFFEE
09.30- 10.00 WELCOME FROM IR AND ARU
10.00- 11.30 PLENARY SESSION
DECRIMINALISING ORNAMENT CHAIRED BY SHEENA CALVERT
A 1.1 GRAHAM MOSS Elizabeth Friedlander
A 1.2 BETH HUGHES Criminal Ornamentation: Yinka Shonibare MBE curates the Arts Council Collection
A 1.3 VINCENT LARKIN History as Decoration in the contemporary image
11.45- 13.15 PARALLEL SESSIONS
SESSION A2 ORNAMENT AND LANGUAGE CHAIRED BY BILL PROSSER
A 2.1 SHEENA CALVERT Coded Ornament: Information as Pattern and Pattern as information
A 2.2 SARAH BLAIR The ornament of grammar
A 2.3 CLINTON CAHILL The Florescent Word: Kells and the imaging of the Wake
A 2.4 BILL PROSSER Meandering in the Margin
SESSION B2 ORNAMENT AND THE HANDMADE CHAIRED BY JONNY GIBBS
B 2.1 STEPHANIE BLACK Fibs and fripperies: references to the real in digital illustration
B 2.2 MATTSON GALLAGHER Specimens of labour Printers ornaments, the letterpress workshop and the ‘Machine Art’ exhibition at MOMA (1934)
B 2.3 NICHOLAS STEVENSON and GABRIELLE BRACE STEVENSON Digital Decompostion: Faking the Physical
13.15- 14.00 LUNCH
(Heffers bookstand open)
14.00- 15.30 PARALLEL SESSIONS
SESSION A.3 SENSORIAL ORNAMENT CHAIRED BY STEPHANIE BLACK
A 3.1 GEORGE JARAMILLO and LYNNE MENNIE Aural Textiles: From sound to pattern
A 3.2 DANICA MAIER Looking Again: A Performative Lecture
A 3.3 JENNIFER NIGHTINGALE The Cornish Knitting Pattern film series
SESSION B3 GENDER AND ORNAMENT CHAIRED BY AMY GOODWIN
B 3.1 CHARLOTTE HODES Women as Ornament?
B 3.2 CHRISTINE McCAULEY Doyennes of Decoration
B 3.3 FOZ FOSTER Meaningful Decoration
15.30 -16.00 BREAK
(Heffers bookstand open)
16.00- 17.00 KEYNOTE
ALICE TWEMLOW The Politics of Pattern CHAIRED BY NANETTE HOOGSLAG
17.00 EXHIBITION PRIVATE VIEW
19.30 DINNER (OPTIONAL- PRE-BOOKING ESSENTIAL)
SUNDAY
09.00- 10.30 PARALLEL SESSIONS
SESSION A4 ORNAMENT IN PRINT CHAIRED BY CLINTON CAHILL
A 4.1 LUCY ROSCOE A thing to hold: the visual language of the book form
A 4.2 JONATHAN GIBBS Designs and Devices: reflecting upon end papers, flyleaves and the decorative border
A 4.3 IAN HORTON Hard Werken: Criminally Ornamental Design
SESSION B4 ORNAMENT IN SPACE CHAIRED BY ADRIAN HOLME
B 4.1 AMY GOODWIN Signwriting: Ornament as Visual Language - Communicative Decoration
B 4.2 NERMA CRIDGE The Decorative Turn [in architecture]
B 4.3 PETER NENCINI Bevels, Bypasses a practice led presentation
10.45- 11.45 KEYNOTE
ALAN POWERS CHAIRED BY DESDEMONA MCCANNON
12.00- 13.30 PARALLEL SESSIONS
SESSION A5 PATTERN AND PEDAGOGY CHAIRED BY PETER NENCINI
A 5.1 BRYONY QUINN Ornament and Education
A 5.2 DESDEMONA McCANNON ‘Patternisation’: Decorative design pedagogy in print 1920- 1960
A 5.3 HOWARD READ The Stones of Venice: Ornamentation and Ruskins legacy on British visual culture
SESSION B5 ORNAMENT AS PARATEXT CHAIRED BY GEORGE JARAMILLO
B 5.1 MICHAEL KIRKHAM Reconciling Doodling and Illustration
B 5.2 JO BERRY Ornament and (inside) the body
B 5.4 LOUISE BELL The Damage that Decorates
LUNCH 13.30- 14.30 pm
14.30- 16.00 PARALLEL SESSIONS
SESSION A.6 ORNAMENT AS NARRATIVE CHAIRED BY SHEENA CALVERT
A 6.1 LAURENCE NORTH Narrative form and the creation and subversion of architectural ornament
A 6.2 REBECCA HEAVNER Harvesting Ornament: Methods for Aligning Landscape with Character
A 6.3 ROBYN PHILLIPS PENDLETON Building Narratives using Ornament
A 6.4 SARAH HORTON The Decorative Graft: negotiating the workplace through decoration, pattern and ornament.
SESSION B6 CULTURES OF PATTERN CHAIRED BY VINCENT LARKIN
B 6.1 ADRIAN HOLME Ernst Haeckel: nature as ornament
B 6.2 AMEET HINDOCHA The development and application of a geometric lexicon of pattern
B 6.3 JAMIE MILLS The Edge of the Sea: complexity, layering and gesture as analogy and meaning
16.15- 17.00
INFORMAL PLENARY DISCUSSION
INFORMATION ABOUT PREPARING ARTICLES FOR PUBLICATION IN THE JOURNAL OF ILLUSTRATION